“There is just a certain numbness, I think, that is normal human nature when this has been going on for so long, but we’ve tried to just keep reminding people of what’s still going on,” Ms. Gamio said, but this winter, the graphic shows, has been markedly worse. The goal of this particular visualization was to add context to a fluctuating death count: April 2020 felt like “the sky was falling,” Mr. Since the onset of the pandemic, the Graphics desk has been working continually on what editors internally call “the State of the Virus,” an effort to provide visuals that capture the defining moments of this story. “I think part of this technique, which is good, is that it overwhelms you - because it should,” Mr. And as that number approached 200,000, the lead photograph on the page showed the yard of an artist in Texas, who filled his lawn with a small flag for every life lost to the virus in his state.īut unlike the previous approaches, Sunday’s graphic depicts all of the fatalities. When Covid deaths in the United States reached 100,000 last May, the page was filled with names of those we had lost - nearly a thousand of them, just 1 percent of the country’s toll at the time. That page has been used to visualize the breadth of the pandemic before. “The fact that we can create something with half a million dots that is visible and readable all in one piece, on one sheet of paper, that people can scan and ponder - it’s made for print, in a way,” he said. The prominent real estate in the print edition conveyed the significance of this moment in the pandemic and the totality of the devastation.įor Bill Marsh, a print graphics coordinator who helped oversee the execution, the digital concept worked equally well in print. On Sunday, half of the front page was dedicated to the graphic, with nearly a half-million dots running down the length of the page and across three of its six columns. death nearly a year ago to the current toll of often thousands of casualties per day. Lazaro Gamio and Lauren Leatherby, both graphics editors at The Times, plotted out the points so they stretched chronologically down a long scroll, from the first reported U.S. Covid-19 deaths hit 425,000 after four of the deadliest weeks of the pandemic in the United States. Up close, it shows something much darker: close to 500,000 individual dots, each representing a single life lost in the United States to the coronavirus, signifying a staggering milestone that the nation is reaching in just under 12 months.Ī version of the graphic was originally published online in late January, when U.S. US Senator Ted Cruz walks away from after being asked if "this is the moment to reform gun laws" #TedCruz #America #Texasshooting #gunlaws Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.įrom afar, the graphic on the front page of Sunday’s New York Times looks like a blur of gray, a cloudy gradient that slowly descends into a block of solid ink. “Why does this happen only in America?” - to one of Texas’ two sitting senators. ‘No Way To Prevent This,’ Says Only Nation Where This Regularly Happens /tvgKm2TZ1qĪnd finally it took a British outlet to politely but firmly put the question being pondered all across the U.S. On Twitter, the Onion posted a thread linking all 21 stories. Each story corresponds to a different mass shooting but with the same headline and quotes. “‘No Way To Prevent This,’ Says the Only Nation Where This Regularly Happens,” reads the headline on the article, which this time was posted 21 times on the satirical site’s home page. The satirical Onion took it a step further, blanketing its homepage last Wednesday with the same article it has posted in response to many other past mass shootings, skewering the idea that such atrocities cannot be stopped. When we’re grasping for something to say, they are the things we touch,” reads the piece by Jay Caspian Kang. “The endless recalling of these bits of information and their proliferation throughout every channel of communication embed them even deeper into our consciousness. Twitter Is Now Worth $20B, Less Than Half Its Purchase Price, Elon Musk Claims
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